CC Advertising: 1965 Ford Models – Ford Motor Company Is…A Little Boxier This Year

In 1965, Ford Motor Company ran a lovely advertising campaign that was frankly a little derivative.  While Ford was perhaps better at finding market niches in the 1960s than their titanic competitor across town, it’s true that the sharing of intellectual property ran both ways.  Michael Lamm, in his epic book titled A Century of Automotive Style: 100 Years of American Car Design, noted that the industry had little respect for the 1965 full-size Fords, observing that they looked like the box that the 1963 and ’64 Pontiac came in.  If that is true, the big Ford’s styling isn’t the only thing that copied 1963-era General Motors that year.

General Motors had run ads with a similar theme in 1963.  These corporate ads always began with “Coming from GM,” with the rest of the sentence being tailored for the picture used in that specific ad.  In this Bonneville’s case, “a new car means a whole lot more.”

My personal favorite shows a Riviera in front of a lake, where “beauty means a lot whole more.”  Ford’s 1965 corporate campaign began with “Ford Motor Company is:”, and the rest of the sentence completes the thought based on the picture.

Both are great campaigns if you like pictures of old cars.  Ford showed trainloads of Mustangs, the Big Red turbine truck, a Thunderbird splashing though a salt bath, a Ford GT40 being ministered to by none other than Ken Miles himself, and many more.  I own several of the ads, and I love them.  But GM did it first, in this case.

It’s also true that the squared-off, stacked headlight look of the 1965 Ford originated with the spectacular 1963 Pontiacs, the most handsome being this Grand Prix.

But the big Ford still looked good and sold very well for 1965, and it must be said that the LTD four-door hardtop prominently displayed in much of Ford’s advertising that year caught GM off-guard.  By introducing a luxo-barge to the low-priced three, Ford continued the erosion of GM’s “Sloan Ladder” by forcing Chevrolet to react with the Caprice.  While lacking the prestige of the Continental, buyers could now get a swanky, luxurious package for thousands less.

I don’t know about you, but I have always liked the dark blue LTD shown in so many 1965 Ford ads.

The full-size Mercury went through another transformation for 1965 and earned the Car Life “Engineering Excellence Award” (Inexplicably – Let’s face it, it’s a big Ford underneath.).

The somewhat controversial (and in my opinion, awesome) Breezeway window was continued for 1965, but its days were numbered, and it was only available on a limited number of bodystyles for 1965.

Still, the Mercury line as a whole was square-jawed and attractive for ’65, and without the Ford’s stacked headlights, it was a bit less Pontiac-like.  In our featured advertisement, however, Ford deflected any whiff of unoriginality by pairing their Ford and Mercury full-sized models with the Continental, which was somewhat square-rigged itself by 1965, with the side windows being straightened out along with the roof for the previous model year.  Therefore, Ford could claim that its new boxiness indicated nothing more than a family resemblance to the big Lincoln, a Sloan-ladder imitation if there ever was one.

No matter.  They say there’s nothing really new in the world, and we all copy each other to some extent.  Any fans of automobiles in advertising come out ahead by the theft, because there are that many more of both to enjoy.