1956 Buick Centurion – Motorama’s Vision Of A Future Without Rearview Mirrors

Picture of 1956 Buick Centurion

When did our conceptions of the future become terrifying? Dystopian fiction had been warning us about the dangers of technology for decades by the time General Motors introduced the fantastic 1956 Buick Centurion car as a Motorama concept, but at the time it undoubtedly all seemed so…fictional. Therefore, at the Motorama shows people were free to let their imaginations cut loose and dream about a future where electronic gadgets would make their lives easier and more stylish all at once; they were the ultimate expression of optimistic American consumerism. Some of the concept cars were over-the-top but they almost always had one foot in the present, a milestone to give potential General Motors buyers something with which to connect. While most of the Centurion’s themes and gadgets didn’t have a future on the production line, a few were found on GM products of the then-near future, and one is still with us today.

Photo Credit: Car Design News

 

General Motors had already been putting on fantastic “road shows” for years when the first Motorama (by name) opened in 1950. The name “Motorama” had been used since 1947 for GM’s exhibit at the Museum of Science and Industry in Chicago, but it would now be applied to the traveling car shows that engendered so many “dream cars” of the 1950s. In this image from 1956, we can see the Pontiac Club de Mer, the Oldsmobile Golden Rocket, and the Cadillac Eldorado Brougham Town Car, in addition to dozens of production cars. Does anybody else think that the Cadillac four-door hardtops of 1956 look spectacular?

The Centurion was just off-camera in that picture, but it is certainly one of the more memorable Motorama dream cars, and the interior alone would have made it so. GM designer Chuck Jordan was responsible for the Centurion, and according to David Temple’s book GM Motorama: The Glamorous Show Cars of a Cultural Phenomenon, Jordan said that with the Centurion, “they wanted an interior that went with the exterior.” Therefore, the Centurion has a cantilevered steering wheel and column (the traditional column was added later for some reason), four bucket seats with retractable headrests, a digital clock, and the most prescient feature: a back-up/rearview camera. The Centurion had no rearview mirror, but instead had a functional TV camera in its tail.

Picture of 1956 Buick Centurion from the rear

It’s surprisingly well-integrated for a car with a 1950s camera mounted where the trunk would normally be; you can see the cutout for the lens just above the rear “Dagmar” that boldly tells you that yes, this is a Buick. The six-pound camera was “made by University Broadcasting System, Inc. and…designed to be shock resistant.” Whether the modern backup camera has its roots in a 1956 Buick concept car I couldn’t say, but I do know that the Centurion’s fins must have certainly come to mind when the 1959 Chevrolets and Buicks were being drafted.

Picture of 1956 Buick Centurion engine

The Motorama show cars were commonly “pushers,” which means that they weren’t drivable, but they often had engines in place, and the Centurion is no exception. Aside from some harmonizing red accents, almost everything in the engine compartment is chromed or polished, including the four Carter YF side-draft carburetors atop the 322-cubic-inch Nailhead. Attached to a Dynaflow (of course), the 322 reportedly made 325 horsepower, but who really knows; it could easily be a stock engine with a fancy, expensive intake manifold. Can you imagine having this setup under the hood of your ’56 Century?

I mentioned how General Motors’ Motorama cars had some traditional styling cues so showgoers could relate to the cars that they were ogling on the production car stands or would be ogling in showrooms soon. The sweepspear on the side of the Centurion and the three hashmarks in front of the rear wheelwells would soon be seen on Buick’s 1957 model production cars. The finned wheel covers, which resembled larger-scale Dynaflow stators, would be a theme that Buick would mine as far in the future as the 1963 Riviera.

Some themes could already be seen on production cars, such as the air scoops on the front fenders (which apparently took in air for the air conditioning system), which resembled those seen on the 1956 Corvette (and on the quarter panels of air conditioned GMs). Another common feature (with the Corvette) was the Centurion’s fiberglass body; most of the Motorama cars had bodies built from fiberglass because it was cheaper and easier to use for one-offs, even for a company as spectacularly wealthy as General Motors. We all have to watch the bottom line, and the Motorama shows were wildly expensive to put on, which is why they only happened every few years.

Some ideas proposed on the Centurion didn’t find much traction, such as its clear plastic roof. Later cars, such as the Glass Roof Mustang, gave the concept a go decades into the future, but they had heavily tinted glass, unlike the clear heat box we see on the Motorama car. It is a “dream car”; all the ideas don’t have to be practical. (And to give credit where it’s due, Ford offered glass-roofed production cars from 1954 to 1956.)

Even the name “Centurion” was later recycled on the Wildcat’s replacement fifteen years later in 1971. The name itself was a mystery to Chuck Jordan; he had no idea who came up with it, but he thought that its similarity to Buick’s popular Century had something to do with it. A Roman officer most likely did not.

We are all fortunate that the Centurion is still around, most often found on display at Sloan Museum in its ancestral home of Flint, Michigan. Several of the Motorama show cars were destroyed, or at least ordered to be destroyed, by GM; after all, they couldn’t be licensed, and even if they could have been, most of them weren’t even working automobiles. For some reason, the Centurion was spared this fate so we can all enjoy it today and remember a time when advanced technology didn’t make us think of science-fiction movies, or real life.