We’re back at the Toyota Automobile Museum and we’re going to sink out teeth into the main event of the Streamliners section here. We’ve seen a number of the exhibits already, but there were two cars that seemed to rule the roost: a brown DeSoto Airflow and a green Peugeot 402. The Airflow is a true milestone of streamlining, but also a complete sales dud. The Peugeot was a straight-up Airflow copy, but with a few astute ameliorations, it turned into a success story. Let’s look at both of these exceptional cars, as they really are two peas in a teardrop.
Let’s start with the original – the infamous Airflow. Developed by Chrysler chief engineer Carl Breer since 1931, there really was nothing like it in the world when it was launched in January 1934. There had been a few aerodynamic cars prior to that date of course, but this was the first time a heavy-hitter like Chrysler were putting out something so advanced.
The Airflow wasn’t just one car. It was a full range of models, spread across two marques. For 1934, Chryslers had a dramatic “waterfall” grille (above) flanked by stacked quad headlights.
The sedans came in five different wheelbases and coupés in three. Chryslers were fitted with a 4.9 litre straight-8; DeSotos, which made do with the shortest (115-inch) wheelbase, had a 3956cc flathead six producing 100hp.
The rarest (and most expensive) Airflow was the CW, also known as the Custom Imperial. It The 1934 model seen here was distinguished by its quadruple bumper, but had the same grille as other Chrysler Airflows.
The DeSoto’s bumpers and front end was quite different, with a painted grille and very different headlamps. The three louvres under each headlight is where the horns are located.
All Airflows used a sort of hybrid unit-body construction mated with a subframe for the engine compartment – another avant-garde solution that would come back to bite the carmaker in the back bumper. The rounded front end was a product of actual wind tunnel testing, as were the rear wheel spats.
No external trunk on the ’34 DeSoto Airflow. This would later change, as would quite a number of other details, once Chrysler noted how difficult the car was to sell. Though to be entirely fair, not all the Airflows ordered for MY 1934 were delivered — Chrysler had production issues even back then.
Chrysler were justly proud of their patented “floating power” engine mounts, which dampened vibrations and significantly improved passenger and driver comfort. Furthermore, as noted by Paul Niedermeyer in the comments section, the engine was moved forward over the front axle, allowing the whole passenger compartment to also be moved forward, improving interior space very substantially (interior width was drastically improved; the first true 6-seaters), and ride quality was also enhanced, as the rear seat was no longer over the rear axle.
Alas, the first 2-3000 Airflows assembled in early 1934 had fatally defective engine mounts, leading to extreme and sometimes dangerous vibrations at speed. Early Airflows, being complex and novel machines, were often prone to these kinds of assembly mishaps.
The Airflow did not set any sales records in its short initial model year. The Chrysler marque had (wisely) kept a couple of non-Airflow models alongside the revolutionary car, allowing for some sales to be salvaged.
That was not the case over at DeSoto dealerships, unfortunately: the marque was all-in on the streamliner, warts and all. And for that initial year, DeSoto Airflows did outsell Chrysler ones. It was the only silver lining: DeSoto’s 1934 sales showed a 47% decline compared to 1933.
One major issue buyers had with the Airflow was its looks – especially that odd front end. But with its unit body construction, the Airflow’s looks were pretty much gelled. A minor facelift gave the ’35 cars a much more ornate grille (DeSoto shown above), but the general shape was what it was and could not be significantly altered.
Chrysler soon realized they had innovated a step too far. The buying public were not convinced, new grille notwithstanding. DeSoto resuscitated their “normal” car range to staunch the bleeding in 1935.
The Airflow ghosted DeSoto’s range after model year 1936, only sticking around as a Chrysler for 1937. In total, about 55k Airflows were made, roughly 25k of which were 6-cyl. DeSotos.
It was an industrial disaster for Chrysler, and the repercussions of the Airflow would be felt for many years in the firm’s risk-averse philosophy.
On the other hand, few car designs were as influential as the Airflow. It could be argued that some domestic carmakers (Lincoln, Hupmobile, Nash) learnt a lesson or two from the beleaguered Chrylser, but the ones who straight up copied it were foreign.
The very first car produced by Toyota, the AA, clearly had a lot of Airflow in its looks – the mechanicals were admittedly more GM-influenced. These were made in small quantities, along with the AB soft-top, between 1936 and 1942; a similar AC model (with a split windscreen, bottom picture) took over from 1943 to 1948 with a grille that was even more Airflow-esque.
The 1935-38 Volvo PV 36 Carioca showed its Airflow genes even more blatantly. It was Volvo’s first all-steel body. But neither the Toyota nor the Volvo were manufactured in huge numbers: at most 2000 Toyota AA/AB/ACs and fewer than 500 Cariocas were made. Small fry compared to the original, as well as to one mini-Airflow that made it big: the Peugeot 402.
By the early ‘30s, Peugeot had structured their range in a novel and rational way, with their models all denominated with a zero in the middle. The larger the car, the bigger the first number, so the 601 was the big 6-cyl. Pug, followed by the family-sized 401, the compact 301 and down to the 201 subcompact. But the -01 generation was starting to look a tad stale, what with all them new-fangled streamliners. In late 1935, the new generation 402 was unveiled – and it was an immediate sensation.
The Airflow influence was as clear as could be, but the Peugeot designers managed to avoid a number of pitfalls that had befallen Chrysler. The most important of these was the front end: the Airflow’s face was difficult to like for a number of reasons, yet the shape was integral to the design.
In a genius move, the Peugeot designers populated the large space created by the round nose with a carefully-shaped grille that included the headlights within it. In one fell swoop, this gave the Peugeot its own character and it solved the headlight problem without needing to make specific stampings in the fenders.
In the back, the Peugeot provided access to its trunk from the outside. Originally, the car would not have had the small reflectors near the bumper; rear lighting was all situated on either side of the license plate.
This is the standard four-door berline, the most commonly seen model. Here too, the 402’s proportions were much improved over the Airflow. Compare that sleek silhouette to the dumpy DeSoto. The Peugeot’s lack of running boards also helps a lot…
Unlike Chrysler’s fumbled launch, the 402 was, in the Peugeot tradition, fully functional from the off. There were still a number of innovations, including all-metal bodies, independent front suspension and a new 1991cc OHV 4-cyl. engine producing 55hp and mated either to a 3-speed manual or the optional 4-speed Cotal electro-magnetic gearbox. The suboptimal location of the headlights (from a lighting point of view) was at least partially offset by Peugeot’s use of 12-volt electrics.
Brakes remained of the Bendix cable-operated type and the construction was body-on-frame, which was available in two wheelbase lengths. And you still had a hole for the starting handle in the front, but then French cars kept those for a good long while. Great way to use that zero-in-the-middle gimmick…
The 402 was almost immediately given a bewildering variety of bodies, beyond the regular saloon.
A host of two-door variants appeared, including a roadster, a four-seater soft-top, a coupé and the famous “transformable” power-operated tin-top. These were available in regular and LWB form, too. An eight-seater limousine and other LWB options were also available.
In 1936, a smaller 302 model (with a 1.8 litre engine) was added to the Peugeot range, replacing the 301. It was essentially a reduced 402 in size, displacement and price. The last piece of the puzzle came in 1938 with the launch of the 1100cc 202.
Peugeot did the sensible thing and created the 402 Légère, i.e. a 302 body with a 402 front end and engine, for MY 1938. In 1939, the Légère was given the even smaller 202 body; the 402’s engine that year grew to 2142cc and 60hp, turning the standard saloon into the facelifted 402 B.
Said 402 B included a genuine hardtop coupé in its lineup, by the way.
There were plans to go further, including a 3.2 litre V8-powered 802 planned for 1941 and the sensational Andreau streamliner, seen here on the Peugeot stand at the 1937 Paris Motor Show. A handful of these wild machines were actually built on 402 chassis and sold. A fully automatic transmission was also developed and successfully tested (in 1936!), but would have cost twice the price of the car to manufacture. Peugeot also made a number of 402 Diesel prototypes – those might have been good for taxi service by the early ‘40s.
Creature comforts were also part of the package, including velour upholstery, a dash-mounted shifter to unclutter the floor, an optional radio set and a heater / defroster, alas not included in this particular car.
With a 315cm (124-inch) wheelbase, the 402 was a big car for its segment. This was excellent for legroom, but it did mean that performance was a tad limited – the LWB models, with an extra 15cm, were even heavier. Hence why the Légère versions were created.
Oddly enough, the 402 even inspired the creation of a limited run of sports cars. These were designed by Georges Paulin, bodied by Pourtout and available via Darl’Mat, a major Peugeot dealer in Brittany, from 1937 to 1939. Three variants were available – roadster, cabriolet and coupé – and quite a few were actually raced, including at Le Mans.
But then came the German occupation in 1940, putting a stop to nearly all car production in France. The very last 402 saloons trickled out of Sochaux by mid-1942, never to reappear after the war. The 202 was the only Peugeot model when the heavily damaged factory was partially reopened in 1946.
In its category, the 402’s only real domestic rival was the Citroën Traction Avant, which was less reliable and far more austere. For a relatively large pre-war French car, it sold extremely well: just over 75k from late 1935 to the war, to which one could add the related 302 (1936-38, 25k units). The 202, while related styling-wise, was a significantly smaller and cheaper car.
There you have it: the pioneer that tested the limits of acceptability and the copycat that tweaked the recipe just enough to turn a sow’s ear into a silk purse. The Tatra 87, the ’38 Cadillac Sixty Special and the Lincoln Zephyr we saw recently from this room were all significant milestones in automotive history. These two are the very essence of mid-‘30s streamlining: creative yet awkward, derivative yet attractive.
The color doesn’t do the DeSoto any favors, but I agree that the Peugeot design was more attractive. I’m not always in agreement with French design. The front end of the DeSoto is a major problem, it looks like a Divco Model U milk truck. The rest probably would have been accepted more easily. I’m wondering if US regulations forbid headlights behind the grille. That makes a big improvement in looks if not in functionality. The Toyota is less attractive and probably wouldn’t have helped Chrysler. The Volvo’s headlights are slightly better than the DeSoto.
This was a well-written and very informative piece. The Toyota museum has an excellent variety, unlike most manufacturer museums. I hope that you haven’t exhausted the displays and that there will be more articles coming.
One of these?
Didn’t Chrysler “test” the Airflow by driving it off a cliff to prove an all-steel body was stronger than a steel body with a wooden substructure?
And they walked away 😏
They did. Ate Up With Motor has a good history of the Airflow.
Just to be clear, the Airflow was pushed off the cliff with nobody inside it, the doors stayed closed and the car was supposedly driven away after the stunt.
I’m sorry I don’t know how to post the links, but there are videos on Youtube of this test and Airflows performing other feats of strength.
I wasn’t aware of the Peugeot 402 prior to this so thank you for this piece. The car IS more attractive than the Chrysler and the headlight arrangement is interesting insofar as there apparently weren’t issues with the “airflow” in regard to the radiator. One wonders how things would have proceeded overall had the war not intervened.
The little details are just superb as well, as was often the case in the era. I quite like the argent colored grille, not as in your face as a chrome unit but still some chromed highlights such as the lion’s head, and the 402 badge up front is clever and attractive as well, not just a stamped or cast piece of metal and then chromed but rather displaying the craftsmanship of some little supplier basement workshop in an outer arondissement…
I think the hole in the zero of the 402 badge was for a starting crank. Yes, the 402 had an electric starter—this would have been a “just in case” thing. Last Peugeot with a hole for a crank was the 403.
The French just have a different take on styling than we do, and I say vive la différence.
It’s rather fitting that in the photo where Joseph Frazer (later of Kaiser-Frazer) is posed with an Airflow, both he and the car are wearing spats:
https://www.curbsideclassic.com/curbside-classics-american/curbside-classic-1947-frazer-manhattan-the-last-domestic-assault-on-detroit-until-tesla/
The French know how to do things with style and flair. The Peugeot 402, in its many variations, is beautiful. You can also spot one if you look closely in “Son of Frankenstein.”
I am a fan. Lovely, exciting, high tech automobiles. Great write up! Thank you!
Nice write-up. But the real key difference between these two was that one was built and sold to a fundamentally conservative American market and the other to a fundamentally much more progressive French market, one that was clearly more open to new design and avant garde features.
There’s no doubt in my mind that if Chrysler had designed their Airflow to look like the 402 that it would still have been a flop. Americans were not ready for a swept back, tapered front end.
Meanwhile, Lincoln got it right with their 1936 Zephyr (below). Also a streamliner, but with a very palatable traditional upright front end. Chrysler grafted on upright front ends onto their Airflows, but by then it was too late.
A key aspect of the Airflow beyond (and really more significant) its streamlined styling is that the engine was moved forward over the front axle, allowing the whole passenger compartment to also be moved forward, improving interior space very substantially (interior width was drastically improved; the first true 6-seaters), and ride quality was also enhanced, as the rear seat was no longer over the rear axle. All these features would of course eventually be adopted by the rest of the industry.
Cheers Paul
Very true, that last paragraph — I should have put that in the post. So I just quoted you in the main text, if that’s ok.
Other than the air goes over the front and down the back, I see no comparison between the Desoto and the 402. Retractable convertible top, a 4cyl or a diesel, a V8 or an automatic transmission were developed before WW2.
Gerhard Neumann, in his autobiography “Just Lucky I Guess,” related how he fixed a poorly-running new Buick, owned by a Chinese bureaucrat, by retarding the timing to account for low speeds on bad roads and poor fuel. The official was so thankful, he gave Neumann his Peugeot 40x (I forget which).
Neumann became famous when he was “adopted” by the Flying Tigers for his mechanical genius, despite being a German national. He later was naturalized and became VP of GE’s jet-engine division.
Fun fact: Nationalist China had close diplomatic ties with Nazi Germany, despite the latter’s alliance with China’s enemy Japan. I don’t get it.
T87, will we get a write up on the white Cord?
Dave
How could you leave out the Singer Airstream?
How? easily it looks sillier from the front, Ive seen side on and front 3/4 shots of one thats in NZ still, the Peugeot still looks great theres a large poster of a 402 retractable at half open on the wall of the spares dept at the Peugeot dealer in Hastings,
A fella over there in Germany took the basic shape and stuck the engine in the back and sold plenty
Nothing wrong with the streamliner idea its just Chrysler tried it on the wrong audience at the wrong time and others improved on it. Two of those Singers are thought to exist now the NZ example is still sitting unrestored in a shed,
I’ve never seen this before. Deary me. Singer air vent, more like, especially in that front shot. Who wants to drive round in a Deco a/c outlet?
In 1972 a neighbor had a 1934 DeSoto 4 door Airflow, it was unrestored and in pretty good shape .
As long as I returned it clean and with a full tank of gas I could borrow it now and then .
Good times indeed, I’m still enamored of Air Flows .
-Nate
Interesting comparison. Looks kind of like Huey Long in one DeSoto pic.
I think you are correct. Huey Long served in the US Senate for January 1932 thru September 1935.
The plaque above the license plate notes the 74th congress which convened Jan 1935 thru Jan 1937.
Interesting to consider the 402 was in much the same segment wheelbase and engine-wise as Citroen’s famed Traction 11. Advanced style or advanced engineering – your choice.
I’d certainly never heard of the airstream Volvo: it doesn’t look too bad, actually. The Andreau Pug was heretofore unknown as well. What an exciting beast. Does it survive?
The Chrysler products have really rather nice styling, until the front, where someone who was paid enough to know better drew a face that is simultaneously heavy, mopey, and vaguely threatening. It looks like a nice but particularly dumb thug from the local mafia chapter, which is quite the achievement.
The Pugs are entirely more elegant, though I caveat that the dead-on front view can be a bit disconcerting. (Too close to a grasshopper, as it were). But overall, we see again the styling phenomenon wherein what appears to be quite small changes of proportion and finish change an unlikeable design (the Chrycos) into something sweet (these Peugeots).
The dilemma with the Airflow cars was that they were decorated rather than styled. Chrysler had a styling department, but the engineers were in charge, and they were not about to let some foolish artiste muck about with anything IMPORTANT, like the shape of the car.
At least one Andreau has made it to the present.
https://www.supercars.net/blog/1936-peugeot-402-andreau/