GM’s Deadly Sin #1: 1986 Buick Riviera – How To Kill An Automotive Legend

 

(an essentially new version of an old post)

Take a close look at these two cars—there’s something deadly wrong with one of them. They’re both very similar looking Buick coupes from the mid 1980s. They’re very close in size, shape, proportions and styling, right down to a number of details. They even share the same basic V6 engine. Unless you were knowledgeable, you might very well mistake one for the other. So what’s the big deal? One of them is a low-end Buick, the Somerset Regal; the other is the 1986 Riviera, a luxury coupe that cost more than twice as much and was once an automotive legend for its distinctive styling. And here’s the kicker: the more expensive Riviera came out one year after the cheaper Somerset. Now that’s just…deadly.

Welcome to GM’s Deadly Sins, where we chronicle the corporate blunders, hubris and mediocrity that resulted in the terminal decline and bankruptcy of what was once the world’s biggest and most profitable corporation.

Please note that the cars we feature on GM’s Deadly Sins were not necessarily BAD cars per se; many served their owners well. But all of these cars failed to stem GM’s rapidly eroding market share, or more likely hastened that process. So don’t take it personally if you or your uncle owned one of them and loved it. GM’s Deadly Sins are about the decisions that created these cars, although in some cases the cars really were stinkers.

The Buick Riviera was an instant classic from the day it arrived in 1963. It stunned the world with its exceptional beauty, elegance and performance. It was a luxury coupe that conveyed class and prestige to its owners as well as to Buick and GM. Although not every subsequent Riviera lived fully up to the original, its name and reputation was solidly established. The handsome version that arrived in 1979 was the most successful of them all, and in its last year, 1985, over 65,000 of them were sold.

With its 1986 successor, GM effectively killed the Riviera, with sales plunging over 70%. And by 1988, sales were down a stunning 87%. How did GM kill off one of its finest and most beautiful cars ever? By making it look just like one of its economy cars.

How could this have happened? It makes absolutely no sense and violates all the obvious and long-established rules for automakers: make your premium products look distinctive, more exclusive and worth the extra money. And if you’re going to make a cheap car that looks a lot like the more expensive car, at least have it come out a year or two later. Amazingly, GM utterly failed to heed these rules, and in the process destroyed the image, value and sales of one of its most storied cars ever, the Buick Riviera.

I’m sure you all are familiar with the classic Riviera. It was one of the finest, if not the ultimate, post-war American luxury coupes. It and the new Corvette Sting Ray were the sensations of 1963. Its styling, overseen by GM Design VP Bill Mitchell, has been hailed as one of the best, if not the best, of the whole post war era. It simply oozed exclusivity, class and luxury, and turned heads wherever it went. I’ll never forget the first time I saw one as a kid in the fall of 1962: I was blown away; it was only a question of which one I craved more: the new Sting Ray or the Riviera. Why not both?

In 1966 the Riviera got the first of a number of restyles; in subsequent years it got bigger and more dramatic, adding a boat tail in 1971. For a few years the Riviera stumbled a bit, but it eventually got its footing back.

 

These large Rivieras sold reasonably well, but after the first energy crisis, Americans rightfully wanted somewhat smaller and more efficient cars. GM did just that in 1979 with these E-Bodies, with a very successful downsizing that resulted in a handsome coupe, some of the very last cars designed under Bill Mitchell’s tenure. It was now very close to its 1963 size, at 206″ overall, and substantially lighter and more efficient with FWD and an available turbocharged 3.8 liter V6.

Most importantly, it sold well, too. In 1985, in its final year some 65,000 were sold, the all-time high for the Riviera. And then, disaster struck, in the form of the new radically downsized E-Body coupes and the closely-related Cadillac Seville.

All three of GM’s former cash cows suddenly went dry, with the Riviera’s udders drying up the most. In its first year, 1986, sales were down a stunning 70%. And the drop didn’t stop; by 1988, unit sales were a mere 8,500, an 87% reduction from 1985. I challenge all of you to find a comparable or worse drop in sales in direct response to a restyle. Keep in mind that these years were during an economic growth cycle.

The 1986 Eldorado gave the Riviera a good run for the money in terms of its first year sales drop, with a 69% reduction.

The Toronado came in third, with a mere 62% drop in ’86.

This Deadly Sin wasn’t just limited to the E-Body coupes; the related 1986 Cadillac Seville, looking like a four-door Olds Calais (or worse), suffered a mere 53% drop.

All of these high-end high-profit models were mortally wounded by this shrunken-head 1986 re-design. How did this happen, to a company that literally invented the modern design studio under legendary Harley Earl in the late 1920s and was an acknowledged design leader ever since?

Blame it on GM’s insecure and controlling corporate chiefs. Harley Earl and Bill Mitchell had both been immensely powerful within the company, and usually got their way, even if it meant subterfuge or downright insubordination. The GM executive suite, under Chairman Thomas A Murphy, who had worked his way up through the finance department, was determined to have Mitchell’s replacement be less resistant to management’s will. So instead of naming Mitchell’s pick for the job, the dynamic Chuck Jordan, they chose Irv Rybicki (above), whose temperament was clearly going to make him more pliable.

Chuck Jordan, who had joined GM in 1947 and been associated with many outstanding designs, had recently spent several years at Opel reviving the brand with fresh new cars, culminating in the absolutely superb Rekord D. Jordan designed this car to prove to the Europeans that GM was capable of designing international-sized cars that were better than any of theirs. This was precisely the skill that GM desperately needed back at the Design center as they were embarking on their second wave of downsizing. But he was passed over because he was considered more likely to clash with management and stand up for his design judgment.

So the GM execs got their compliant new design VP, and the results were almost universally disastrous. The 1980s was the worst decade in GM’s history, as market share crumbled away with each new wave of look-alike shrunken-head cars.

This second wave of downsizing, in 1985 and 1986, had been initiated during the run up in fuel prices during the second energy crisis. Some economists then predicted oil prices would just keep going up indefinitely. And the federal fuel economy regulations were set to tighten their grip in the coming years. So yes, GM was faced with a daunting task, but they went overboard, convinced that their ability to finance all-new car programs would lead them back to the top of the industry. In essence, they threw out the baby with the bathwater, creating much more compact and lighter cars in the higher priced segments where buyers still expected a certain size and look, one that conveyed the status of a high-priced car. Sure, make the cars more efficient, but don’t force buyers into a little anonymous-looking pod.

The new 1985 full size C Body cars like the Cadillac DeVille were very space efficient, but their styling was just unnecessarily too truncated.

Within a couple of years, they all got longer front and rear ends to make them look visually more appealing. They should have arrived like that to start with in 1985.

The same mistake was made again with the E-body coupes in 1986, except in this case they GM went absolutely bonkers in terms of their downsizing. These cars looked positively shrunken and truncated, with hoods and trunks that were drastically short. And even worse, their styling was totally devoid of any appeal, emotion, good proportions and execution. Arguably the Riviera suffered the worst of the three; it lacked any references to its previous styling. That’s a Riviera??

At least the Eldorado maintained some stylistic continuity with its predecessor. The Riviera didn’t; and more embarrassingly, it looked extremely similar to the much cheaper Somerset Regal, which had arrived one year earlier.

GM scrambled to try to fix their obvious mistake by adding a longer front in 1988, and an available larger C pillar. That improved the front end somewhat.

 

Then in 1989 a longer rear end was grafted on. These helped its proportions somewhat, but these were just Band Aids on a mortal wound. At the very least, this is what the 1986 Riviera should have been in the first place. It’s not like these very short front ends and tails improved fuel economy, In fact, a longer body is generally more aerodynamic than a shorter one, and these mostly plastic end caps didn’t exactly weigh much. But this fix only went so far in masking their inherently uninspired design. Sales did turn up some, in 1989, but nothing like before, and they quickly resumed their downward trend. By 1993, only some 5,000 were sold, and there was no 1994 Riviera. The end of the road; killed by Irv Rybicki’s willingness to do management’s bidding?

Even Chuck Jordan, who was finally tapped to replace Rybicki in 1986, couldn’t turn things around by the time his much more dynamic and competitive designs hit the market after 1990. It was decided to revive the storied Riviera, and although its dramatic and some love its looks, it seemed to be overcompensating for its shrunken predecessor’s short tail. These long-tail 1995 Rivieras enjoyed a bit of a bounce in their first year, but then sales quickly shriveled away again. By 1999, only 2,000 were sold and then it was cancelled. The Riviera was now truly dead.

The GM mothership had sprung too may leaks, and the many well-meaning attempts in its final decade or two by Jordan and Bob Lutz and some other genuine car guys were doomed to failure.

The 1986 Riviera was just one of those many leaks that sunk the ship, but one of the most painful ones. Not so much in pure loss of sales and potential profits, but in the huge blow to GM’s image. The original Riviera was the ultimate representation of GM’s golden years; a superbly styled luxury coupe that held its own with the finest cars of Europe, both stylistically as well as dynamically. It was truly an aspirational car. And it’s long been a collectible classic.

This 1986 Riviera represents a company that had lost its way, unable to respond properly to a changing market. Buyers looking for a sporty-luxury coupe at the time shunned it and found plenty of attractive options elsewhere, like the handsome Continental Mark VII (above), which got a nice boost from former Riviera buyers or the delightful Acura Legend coupe, which represented the growing impact of imports in this class.

And we haven’t even gotten to the 1986 Riviera’s new all-electronic instrument panel with a touch-sensitive control center. It was typical GM at the time: clever futuristic technical gimmicks were deemed more important than getting the basic size, shape and styling of the car itself. An unfortunate preview of the future.

Note: The GM Deadly Sins are not in any specific order, chronological or by their significance. In large part it has to do when I first found and shot these cars on the street. It was finding this Riviera back in 2009 that inspired the whole GM Deadly Sin series.

 

Related CC reading:

On The Purpose and Nature Of GM’s Deadly Sins – And Links To All Of Them

Curbside Classic: 1966 Buick Riviera – The Ultimate Bill Mitchell-Mobile?  by PN

Curbside Classic: 1986 Cadillac Eldorado – A Swing And A Miss  by T. Klockau

Curbside Classic: 1989 Buick Riviera – What The 1986 Riviera Should Have Been  by T. Klockau

Curbside Classic: 1986-1991 Seville – GM’s Deadly Sin #21; And To Think That I Had One (Briefly)! by PN

Curbside Classic: 1995-99 Buick Riviera – Out to Sea  by W. Stopford