Vintage M/T Review: 1962 Mercedes-Benz 220SEb Coupe – This Handsome Hardtop Seemed To Confuse The Heckflosse Out Of Motor Trend

Front 3q view of a white 1962 Mercedes-Benz 220SE coupe

In early 1961, Mercedes-Benz rolled out a luxury coupe version of its W111 “Heckflosse” platform: the first of the modern S-Class coupes, with no tail fins, but a sleek pillarless hardtop body. Motor Trend sampled the new 220SE coupe in April 1962 and seemed strangely baffled by it, recognizing its fine craftsmanship, but unsure what exactly it was supposed to be.

Motor Trend, April 1962, page 64, first page of Mercedes 220 SE coupe driver's report

According to the AMA, U.S. automakers built almost 1.3 million hardtops in 1961. Roughly one in every eight new domestic cars sold in this country back then was a two-door hardtop coupe. So, you’d think an American automotive editor of that time would immediately understand a car like the Mercedes-Benz 220SE coupe, an elegant but conservatively tailored two-door hardtop, designed by Paul Bracq and sharing its platform with the W111 Mercedes 220SE sedan.

Motor Trend, April 1962, page 65, first text page of Mercedes 220SE coupe test by Charles E. Nerpel, with the headline, "Fine craftsmanship combines function with luxury and comfort that will please the automotive connoisseur"

Front seats of a white 220SE coupe, seen through the driver's door
1962 Mercedes-Benz 220SE coupe had real leather upholstery rather than MB-Tex / Bring a Trailer

Nonetheless, Motor Trend editor Charles E. Nerpel seemed rather at a loss:

IT WOULD BE very difficult to classify in a few words the Mercedes 220-SE coupe. Is it a sports car with the added luxury of a limousine or a plush, comfortable, quiet, five-passenger two-door with sports car characteristics?

For someone looking at this car strictly from an American perspective, I can see the confusion: The 220SE coupe cost thousands of dollars more than a Cadillac Coupe de Ville, but it was a compact car with a small six-cylinder engine, stick shift, and a distinct lack of the power accessories U.S. buyers expected of high-end models. Someone in the hinterlands who’d never seen one of these cars before might conceivably assume it was some kind of pricey furrin’ sports car.

Left front 3q view of a white 220SE coupe
1962 Mercedes-Benz 220SE coupe / Bring a Trailer

Still, if you gave it more than a passing glance, there was really nothing very racy about the 220SE coupe, nor did Mercedes intend there to be. The coupe’s object was to offer all the luxury of what Mercedes later called its S-Class cars in a more “personal” package. It was slightly more aerodynamic than the sedan and had a slightly lower center of gravity, but the coupe was actually a bit bigger than the sedan and over 150 lb heavier, so it wasn’t significantly more athletic in any quantifiable way.

1962 Mercedes U.S. ad showing a black 220SE coupe parked in front of the Helbrun Castle in Austria, framed by a Mercedes 3-pointed star in the foreground. The headline says "Coupe 'd'etat"

If Nerpel was really confused, he could have simply referred to contemporary Mercedes-Benz advertising, which spelled out the concept clearly enough: “a veritable coupe of state” for “the discriminating few who can afford to be seen in this, the finest of machines,” offering “the dignity of diplomacy … in the restful silence of complete discretion.” A prestige piece, in other words.

Motor Trend, April 1962, page 66, continued text of Mercedes 220SE coupe test

Interior of a 1962 220SE coupe with black leather upholstery and the driver's seat folded forward for back seat access
The coupe’s rear seat room was adequate for adults, but entry and exit were a bit cumbersome; rear buckets were a rare option / Bring a Trailer

Nerpel again:

Inside, this craftsmanship is immediately apparent in the finish of the wood-paneled dash, the sliding and reclining individual front seats and bench-type rear seat with folding arm rest, all in full leather, smooth acoustical headlining, and the padded sun visors. Attention to fine detailing is in evidence everywhere, with added touches of functional trim to insure a continued high-quality appearance, regardless of time and wear. As the door clicks closed with the precision fit of a fine cabinet, the luxury of the passenger compartment is more appreciated.

Once inside, however, the luxury begins to wed itself with the sports car influence. Close at hand and conveniently located on the driveshaft tunnel between the front seats is the short-stroke shifting lever for an all-synchromesh, four-speed transmission. Steering wheel size and angle are just right for maximum handling ease, and a large tachometer, companion to the dash-mounted speedometer, spells out the engine speed and shift points at a glance.

The controls were the other area where the 220SE coupe felt sportier than the sedan, even if it wasn’t any faster.

Dashboard of a Mercedes 220SE sedan
1961 Mercedes-Benz 220SE sedan with vertical speedometer and column-shifted 4-speed manual transmission / Bring a Trailer

The W111 sedans had an odd vertical speedometer and column shift, which German testers generally didn’t like.

Dashboard of a 1962 220SE coupe
1962 Mercedes-Benz 220SE coupe with circular 140 mph speedometer and 7,000 rpm tachometer / Bring a Trailer

The coupe (and subsequently the cabriolet) had a new instrument panel with a more orthodox round speedometer and a tachometer, plus a floor shifter.

Center dashboard of a 1962 Mercedes 220SE coupe
Padded dash, heater, and clock were standard, the Becker Mexico AM/FM radio was optional / Bring a Trailer

Like the W111 sedan, the 220SE coupe had some useful safety features, including a padded dash and switchgear designed to cushion what American safety advocate William Haddon Jr., M.D., later called “the second collision.” Nerpel attributed these to “European safety laws,” but a lot of the credit really goes to Hungarian-born Daimler-Benz engineer Béla Barényi. Thanks to Barényi, the W111 and W112 cars even had front and rear crumple zones — not at all usual practice in this era, and not required by contemporary UNECE type approval rules.

Side windows of a white 1962 220SE coupe
Coupe structure was similar to the 220SE sedan, but the structure was reinforced a bit to compensate for the pillarless roof / Bring a Trailer

A big selling point of these old-school Mercedes-Benz cars was their sense of implacable solidity. Nerpel explained:

Set this all inside a self-supporting steel body of superior finish and weld it to a very rugged box-section frame — and you have a solid, safe unit capable of withstanding thousands of miles of rattle-free pounding, all with a curb weight of slightly over 3000 pounds. The engine, transmission and front suspension are completely isolated from the rest of the chassis body assembly by mounting them separately on their own sub-frame and then rubber-mounting the entire unit to the body-carrying assembly.

I assume Nerpel didn’t have complete manufacturer specifications when this test was written (you’ll notice that there was no data panel), but the curb weight of the 220SE coupe was actually about 3,200 lb, fairly heavy for its size. The Mercedes W111 was a large car by contemporary German standards, and the coupe was significantly heavier than the sedan.

Injected inline six engine
Fuel-injected 2,195 cc M127 six had one (gross) hp/cubic inch, 120 PS net / Bring a Trailer

The coupe used the same 2,195 cc (134-cid) six as the injected 220 sedan. In the U.S., this M127 engine was rated at 134 gross horsepower (its net output was 120 DIN-PS, about 118 hp) with Bosch two-plunger mechanical fuel injection.

Motor Trend, April 1962, page 67, last text column of the Mercedes 220SE coupe test

Illustration of Bosch two-plunger mechanical injection, labeled "Cutaway of pump shows two cam lobes for each plunger"

Nerpel repeatedly stated in the text that the Bosch injection system “injected [fuel] directly into the combustion chamber,” but the M127 engine in the W111 cars had actually switched to port injection. This was a lot cheaper than the direct injection system used in some earlier Mercedes 3-liter sixes, which had also caused problems with oil dilution. With port injection, the M127 engine could still be fussy on a cold start, but once warm, it was flexible and very smooth.

Floor shifter in a Mercedes 220SE coupe
Manual 4-speed was standard on the 220SE coupe; 4-speed automatic became optional in fall 1961 / Bring a Trailer

For a European car of the early ’60s, a 220SE coupe was respectably fast, and in all-out acceleration, it could keep pace with some American V-8 sedans. However, you had to wring it out for best performance, and the gearing, optimized for top speed, was awfully short for American freeway driving — the engine was turning about 4,000 rpm at 70 rpm in fourth. Although Motor Trend didn’t include a full data panel, the text presented the following acceleration times:

  • 0 to 30 mph: 3.5 seconds
  • 0 to 45 mph: 7.2 seconds
  • 0 to 60 mph: 12.5 seconds

These figures very closely measured what the British magazine The Autocar had managed with a RHD coupe.

Fuel-injected six in a 220SE coupe
With manual transmission, the 220SE coupe was geared to reach its 106 mph top speed right at the engine’s 6,000 rpm redline / Bring a Trailer

Nerpel reported that the fuel injection “makes such waste-free use of the gasoline that 20 mpg in the 65-to-70-mph cruising range is considered normal.” That was true, but the German magazine Auto, Motor und Sport recorded only 15 mpg overall, and flat-out Autobahn driving could push fuel economy below 13 mpg — pretty good compared to a Lincoln or a Cadillac, but not an economy car.

Dashboard of a 1962 220SE coupe
Standard coupe steering ratio was 22.6:1, compared to 20.8:1 for the 220SE sedan; the faster ratio was optional on the coupe / Bring a Trailer

Despite Nerpel’s praise for its “sports car handling,” the 220SE coupe wasn’t that sporting to drive. Its standard manual steering was actually slower than the sedan’s; Autocar complained that it was precise but “rather ponderous … lacking the quick sports-car type of steering response.” The 220SE felt far more at home in fast touring, with excellent straight-line stability, and unlike a lot of contemporary American cars, it didn’t lose its composure on broken pavement. Motor Trend praised the coupe’s “good grip and comfortable ride even on very rough, wet roads.”

Underside of a Mercedes 220SE, showing the rear suspension
Low-pivot arrangement largely tamed the bad manners of the earlier swing axles / Bring a Trailer

The 220SE coupe still had a swing axle rear suspension, but it was of the newest “single-pivot” type, with a single cardan joint below the differential and a transverse compensator spring to mitigate the nasty jacking and tuck-under effects that afflicted the early Chevrolet Corvair. If you pushed hard enough, the Mercedes would still oversteer, but there were only a few situations where it was likely to bite you, like a crest in the road that abruptly unloaded the rear wheels in mid-curve.

Right front wheel of a white 1962 Mercedes 220SE coupe
Coupe had 13-inch wheels and standard front disc brakes / Bring a Trailer

Oddly, Mercedes didn’t offer radial tires even as an option (although of course most survivors have them today), but the coupe did come with standard power brakes with finned rear drums and Girling front discs. Nerpel said these gave the coupe “straight, fade-free stopping ability with very little foot pedal pressure.” The brakes on many domestic cars of the time also offered low effort, but usually faded badly in heavy or repeated use, and whether they’d stop in a straight line was anybody’s guess. (The 220SE sedan adopted the coupe’s disc/drum brakes in April 1962.)

Right front 3q view of a white 1962 220SE coupe
1962 Mercedes-Benz 220SE coupe was fractionally longer, about 2 inches wider, and 2.2 inches lower than the sedan / Bring a Trailer

Nerpel’s review didn’t come to any real conclusion — the Motor Trend text just sort of trails off — and I got the impression he was still struggling with his initial question about what kind of car this was supposed to be. Curiously, there’s also no mention of the price, but as of September 1961, the 220SE coupe listed for $8,746, enough to buy a 220SE sedan ($5,164) AND an Alfa Romeo Giulietta Spider. The list price might not have been finalized at the time Nerpel drove the car, but if it was, maybe that was why he seemed to be straining so hard to describe this as some new kind of luxury sports car, rather than just a more exclusive hardtop W111.

Left rear 3q view of a white 220SE coupe
1962 Mercedes-Benz 220SE coupe was 155–175 lb heavier than the sedan / Bring a Trailer

Conceptually, the 220SE two-doors weren’t really THAT different from a four-seat Thunderbird or other domestic personal cars. However, the way Mercedes positioned and priced the coupe and cabriolet, while not unusual for high-end European models, just didn’t jibe with how American manufacturers of this time approached luxury models. Mercedes-Benz was content to produce these two-door cars in modest numbers (combined 220SE coupe and cabriolet production totaled 16,902 from 1961 to 1965) with high-quality materials at very hefty prices. This worked — for a while, there was a year-long waiting list — because buyers could be assured of exclusivity and prestige as well as fine engineering. By early 1962, there were also even pricier 300SE (W112) coupe and cabriolet models, but you had to be loaded to afford any of the two-door Heckflossen, and there were no cheaper carbureted or four-cylinder hardtops to steal their thunder.

Decklid of a white 1962 220SE coupe
The coupe sacrificed some passenger space, but actually had slightly more trunk room than the 220SE sedan / Bring a Trailer

U.S. luxury automakers hadn’t had much luck with that kind of approach since well before WW2, and exclusivity wasn’t really the Detroit way. Any desirable feature senior U.S. models had, from hardtop body styles to V-8 engines and automatic transmission, the cheaper ones soon got too, which sold more cars, but inevitably diluted their prestige. Ford and GM had tried the high-quality/low-volume/high-price model with the Continental Mark II and Eldorado Brougham, but they couldn’t make the numbers work, so they finally concluded that it was better to keep costs down and volume high, even for high-end models. It made good business sense, but over time, it became a wedge that enabled Mercedes, BMW, and other high-end imports to challenge and eventually displace the domestic brands in cachet.

Front view of a white 220SE coupe
1962 Mercedes-Benz 220SE coupe / Bring a Trailer

Looking at this 220SE coupe, you might wonder why: It’s attractive and tasteful, but not dazzling, and while it had some definite virtues, Mercedes charged through the nose for them. For the money, a lot of Americans of the time would have been happier with a loaded Coupe de Ville and a nice European vacation. However, for some buyers in some segments, lower price is not a virtue; cheap is common, and common is degrading. There was absolutely no fear of THAT with these Mercedes coupes. There were other models that might outrun them or outcorner them, but as the “Coupe d’Etat” ad said, there were precious few personal cars in the world that could match a two-door Mercedes-Benz for discretion or dignity.

 

Related Reading

Vintage Car Life Road Test: 1961 Mercedes 220 SE – “It’s Easy To Understand Why So Many Cadillac Owners Are Switching To This Car” (by Paul N)

CC Tech: 1961 Mercedes-Benz K4A Automatic Transmission – “Mercedes Builds A Brain Box” (by me)

Curbside Classic: 1962 Mercedes Benz 220 SE Coupe (W111) – Old World Charm (by Rich Baron)

CC Capsule: 1963 Mercedes-Benz 220 SE (W111) Coupé – Unaccustomed As I Am To Shutting Up… (Tatra87)

CC Capsule: 1963 Mercedes-Benz 220SE (W111) – Just A Bit Of Fin (Tatra87)

Automotive & Design History: Mercedes-Benz W110/111/112 Fintails – Béla Barényi And The Elusive Pluckenheckflosse (by Don Andreina)