Vintage C/D Review: New York To D.C. With No Cash, No Cards, 12 Checks, And A New Lincoln Continental Mark III

B&W photo of Charles Fox in a Nehru suit, standing in front of a 1969 Lincoln Mark III, surrounded by a cartoon drawings of people milling around him excitedly

Car and Driver ran a lot of stunts in its heyday, but this was one of their most bizarre: In spring 1968, they sent English associate editor Charles Fox on a weekend jaunt from Manhattan to Washington, D.C., dressed in a Nehru suit and bead necklace, with no money, no credit cards, and no U.S. ID — just 12 unaddressed personal checks and a brand-new Lincoln Continental Mark III. Here’s Fox’s account of what happened.

Car and Driver, August 1968, page 60, first page of Lincoln Continental Mark III Viewpoint by Charles Fox, with a photo by Gene Butera and cartoon illustrations by Paul Coker Jr.

This article, which ran in the August 1968 issue of Car and Driver, is one that could never be written today. It’s becoming hard enough to deposit a check in your own bank account, much less pay for anything by personal check. Even back in the days when writing checks was far more commonplace, a lot of businesses were wary of them, especially if they weren’t local. If all you had were starter checks — the kind banks issue new account holders, with no preprinted address — you were probably out of luck; today, if you tried to get a business to cash one for you, they’d probably call the cops. The idea of going on a multi-state road trip with no money other than checks now seems like madness.

Car and Driver, August 1968, page 61, second page of the Mark III Viewpoint, with the right half of the photo of Charles Fox in a Nehru jacket surrounded by cartoon people

Yet, that’s exactly what Car and Driver enlisted Charles Fox to do, judging that it would be a good way to assess just how far the appeal of the new Lincoln Continental Mark III might actually go.

(By the way, if the style of the cartoon people in the above pages looks familiar, it’s probably because artist Paul Coker Jr. was a regular contributor to MAD Magazine for many years.)

Left front 3q view of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon (like Fox’s test car) / Orlando Classic Cars

Intended to revive the lineage of the original Continental and the ’50s Continental Mark II, the Mark III had just arrived in April 1968, but it had already made a definite impression. Fox remarked:

A preliminary trip around Manhattan convinced us that Henry Ford II’s new Lincoln was a significant automobile. Old men looked and smiled wistfully. The people who never looked, looked. Doormen and chauffeurs and cops and airline stewardesses stared unashamedly; some pleased to recognize a new Lincoln, some curious to know what it was. But all of them impressed. The car is an event, an occasion. On the whole, the only people who tried not to look were other Lincoln owners. Stripped of their comfortable status niche, the poor souls didn’t know where to cast their eyes.

Front view of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon / Orlando Classic Cars

So buy yourself a Nehru suit, C/D commanded. Let your hair hang down. Wear a string of beads maybe, and go take a trip in Ford’s flagship. See if 17 feet of unmitigated opulence, with a miniature Rolls-Royce-style radiator stuck on its nose like a chrome-plated Band-Aid on a razor nick, puts gas in your tank, food in your belly and a silk pillow under your head at night.

Lincoln-Mercury says the Mk. III is Henry Ford H’s answer to his father Edsel’s Continental Mk. I and brother William’s Continental Mk. II. Automotive Quarterly says, “The Mk. III is as close a reflection of his (Henry II) personal taste as anything automotive can be.” Pretty impressive, huh? So let’s find out if Henry H’s taste impresses anyone else besides his board members or the senior account executives at J. Walter Thompson. Go be an elderly Rolling Stone. Be a cockney guru.

Be anything you like, but get out there into Rolls-Royce country with a dozen unaddressed personal checks on the Chase Manhattan, no more identification than a British passport and a London County Council driver’s license, and see if all those hard-nosed nickle-minded, middle-class American retailers lie down and let Continental Mk. III class run all over them.

“It sounded like a great idea,” Fox mused, “What else are you going to do with a Lincoln apart from running a figure eight race against an Eldorado?” He’d been promised an unlimited expense account, so if he could get people to accept his checks, they would be honored — an important point, since some jurisdictions have very expansive definitions of “check fraud” and are enthusiastic about jailing people for it. “But by Friday night,” he admitted, “week-long talk among the rest of the staff about bail money and laughing stocks turned a West Village waiter into a San Quentin warder and veal parmesan into a sinister, tasteless, and lonely last dinner.”

High-angle left 3q view of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon with a black Cavalry twill vinyl roof / Orlando Classic Cars

It bears mentioning that when this article was written, Fox was 35 years old, and his hair wasn’t particularly long, so nobody was likely to mistake him for a hippie and try to bust his head for it. A year or so later, after the Manson Family murders, it might have been a different story, but with his British accent, I assume Fox just seemed like a harmless eccentric, especially when he said he was a writer.

Dashboard of a 1969 Lincoln Continental Mark III
The test car probably had Dark Red leather (which Fox described as “plum-colored”), but I couldn’t find photos of a Maroon car with that interior / Orlando Classic Cars

So, he swallowed his reservations, slipped behind the wheel of the Mark III, adjusted the power seat and automatic climate control, and glided out out of Manhattan:

If you are running numbers or acid, if you are delivering duck eggs, one of the Routes de Guerre out of New York is the Holland Tunnel, Even if you’re about to do something a little out of the ordinary with a prestige automobile you use the Holland Tunnel.

You escape the bored, jaded oppressiveness of Manhattan via the Holland Tunnel at midnight; and you are grateful. The fast lane of the Jersey Turnpike glides under six feet of burgundy hood. No sound. Just a gentle vibration: blimp, blimp, blimp through the seat of a $9000 plum-colored leather armchair. Whispering along in the fluorescent half-light with the automatic speed control set at 70. Soaking up the sensual elegance and the peace it brings after a 16-hour workday in Manhattan. The Zoo.

Alone, and feeling unassailably aloof. To Washington, D.C., and points beyond.

(If you read the text on these pages in order, you’ll notice that I’m skipping over Fox’s capsule history of Lincoln, which is not particularly germane.)

Car and Driver, August 1968, page 80, third page of the Charles Fox Mark III Viewpoint

Low-angle shot of the left front wheel and fender of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon / Orlando Classic Cars

Behind the wheel of the Mark III, Fox felt alternating waves of confidence and anxiety:

As beautiful as a snake in a new skin, the ego swelling in your chest like a self-inflating life jacket. Which in one sense is exactly what it is, because that’s what this whole trip was about. Egos. Try climbing out of a Continental Mk. III somewhere in Maryland—in a Nehru suit, with a string of beads around your neck—looking like you’re in trouble and asking for help. They’d be exorcising the station before you made it past the pumps.

But you’d have to be able to act better than Ronnie Reagan to get the focus that way around in the first place. Just sit in the Lincoln for a minute and reality wobbles. Drive it for five and feel schizophrenia softly invade the mind.

Ford 460 engine under the hood of a 1969 Mark III
1969 Lincoln Continental Mark III had a 460-cid V-8 delivering 365 gross horsepower / Orlando Classic Cars

These thoughts were soon interrupted by the one reality the Mark’s various power convenience options couldn’t smooth over: a steadily sinking fuel gauge needle. The Mark III had a nominal fuel capacity of 25.5 gallons, but 10–11 mpg was about the best you could realistically expect from the 460-cid engine. Fox realized:

I was about to have to make contact with the earthlings. I’d have put off the initial encounter forever, but an empty gas tank has a way of forcing the issue. So, roll into a deserted Citgo station, park carefully right outside the office with the engine murmuring softly to itself and the lights blazing, and step inside. There he is—Joe Chudomelka, short and heavy, dabbing at the beads of sweat on his bald head.

Joe listened to how I’d lost my wallet, and money, and credit cards, and a weary look spread over his face. He has the rules set down for him, he explained. He can’t cash personal checks—it had nothing to do with me, he said. Them’s the rules. “I can give you enough gas to get off the turnpike at the next exit, but that’s it,” he said.

So gradually I lured him outside into the warm night air and the presence of the Lincoln. He stared at the car, and equally as gradually his manner changed. The air conditioner had dripped a puddle of condensation under the passenger’s door.

Joe stared at this for a while, looked at my blank check he was holding and then said, “If you’re going to make it to Washington you’ll need more than gas. There’s the tolls to think about, so you’d better have a few bucks to take care of them as well.” Looking at the passport he added helpfully, “Maybe when you get to Washington the British embassy will give you some money,” and left me to drive onward with mixed emotions.

(Although he wasn’t one at the time this was written, I think Fox, who died in 2012 at the age of 79, eventually became a U.S. citizen, or at least a permanent resident. He lived out the last 40 or so years of his life in the town of Bolinas in western Marin County, California, which, during my mercifully brief acquaintance with it in the early ’90s, quickly became one of my absolute least favorite parts of the state.)
Car and Driver, August 1968, page 81, final page of Charles Fox's Mark III Viewpoint

Fox’s blank checks got a considerably less favorable reception at chain hotels in Baltimore:

They threw me out of Baltimore, Md. at 5 a.m. with little ceremony. The desk clerks at the Holiday Inn and Statler Hilton politely refused to budge. At the Holiday the car sat only 20 feet from where we talked, lightly veiled by lace curtains, but very visible. At the Hilton I had to park in the basement so I gave the keys to the night porter as I crossed the foyer and asked him to bring up my bags. “It’s a Mk. III Lincoln,” I called the magic words after him. But the clerk still wanted cash in advance. The lesson was simple enough. Underlings in chain operations, or underlings anywhere, couldn’t buy the Lincoln (and wouldn’t buy me) if they wanted to.

So I cruised down to Washington for breakfast. Unlike Baltimore, Washington, D.C. makes no effort to hide its class.

Right rear 3q view of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon with a black Cavalry twill vinyl roof / Orlando Classic Cars

D.C. proved far more accommodating:

There was no trouble in Washington.

At the Georgetown Manor in Georgetown the manager was on his way out to join the doorman looking at the Lincoln as I walked in. Everybody smiled graciously and commiserated solicitously when I told them my problem. But it was no trouble. They decided I was some kind of famous English author. “You’d like the best room in the House?” they presumed. But I settled for a simple $30-a-day suite facing the front on the second floor, ate steak for breakfast and told them to send me the bill, which they agreed to without a murmur. The parking attendant was more thrilled than anyone else, because the Lincoln was almost too big to park in the basement garage.

Washington gas stations accepted personal checks without asking for any identification. The only problem I ran into was when the car-hop at a drive-in took my Bigburger and chocolate milkshake back after I told him I didn’t have any cash.

Photo of a Stereo 8 track cassette with an artist list including Peter Nero, Norman Luboff Choir, Morton Gould, Chet Atkins, Arthur Fiedler, Living Strings and Living Voices, Claus Ogerman, and Henry Mancini

The Mark III was equipped with stereo tape, so Fox popped in the complimentary RCA Victor Ford Family of Fine Music tape as he explored D.C. He was not overly impressed with the musical selections, but admitted:

[J]ust driving around town—with Chet Atkins (you really copped out didn’t you Chet?), Peter Nero, the Norman Luboff Choir and the rest of Ford’s Family of Fine Musicians pouring out nauseatingly inoffensive Muzak from the magnificent vibrasonic stereo tape deck—was a trip.

Driver's door trim of a 1969 Mark III with black interior
Armrest panel contained the usual controls for the power windows and locks / Orlando Classic Cars

As in New York, the Mark drew a lot of curious and admiring looks. (I should emphasize again that when Fox made this trip, the Mark III was really brand new, and this was very likely the first time most onlookers had seen one in the metal.) Fox wasn’t sure how to respond:

To return the stares is to admit to a degrading concern with reality, and the weaknesses of the flesh. True Lincoln owners, even bizarrely dressed true Lincoln owners, should be engrossed in lofty thoughts—having nothing to do with pretty faces or overt admiration. But for an impostor at least, not to be aware is impossible at first, so you are forced into a world of non-recognition and reflections. The car’s mirrors become adequately subtle observation devices along with shop windows and the most oblique looks. Keeping a straight face becomes as difficult as an advanced yoga exercise.

This non-involvement, which must be a true syndrome of the real Lincoln set, gradually forces the world outside to slip away to a Technicolor Cinerama production moving by in parade. Stop in a crowd of people and suddenly feel very paranoid. But Ford anticipated that, and fitted an electric control panel by your left hand. Push a couple of switches and click, click, the doors and windows automatically lock, sealing you in, safe from those breathing, sweating, staring, ugly, hostile, noisy people out there.

But what does happen if you suddenly take one of those earthlings out of his harsh environment and into the womb-like insensibility of the Lincoln?

Front seat of a maroon 1969 Mark III, seen from the right
1969 Lincoln Continental Mark III with black leather and vinyl interior / Orlando Classic Cars

Pondering this point after leaving D.C., Fox decided to pick up a hitchhiker as a test subject:

Sweeping up the Delaware Valley on the roundabout way back to New York I picked up an 18-year-old math major from Harrisburg, Pa., on his way back to the Pennsylvania State College campus. He made absolutely no comment, and although he looked curious he never asked a single question in 50 miles. I even kept the AM radio tuned to nothing but hard rock stations to make him feel more at home. He hummed a bar or two now and then. But he never allowed more than an occasional glance sideways. With soft-to-no-shock absorber frequency the Lincoln went through roll oversteer to pronounced understeer in fast or tight corners, but the disc/drum braking system was as impressive as the response from the car’s 460 cu. in. V-8—considering the car weighs 4738 lbs.—so I left the braking very late into a couple of corners to see if that had any effect on the mathematician. He looked as placid as the passengers examining the iceberg from the “A” deck of the Titanic. At the east end of Bloomsburg we shook hands and he walked away without looking back.

(The weight Fox quotes was the base curb weight for a 1968½ Mark III, whose standard equipment wasn’t as lavish as later editions. With its climate control, power seats, power locks, and fancy stereo, Fox’s car was likely on the wrong side of 5,000 lb.)

Right front 3q view of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon — the same car from an earlier auction / Orlando Classic Cars

Heading into the Poconos, Fox encountered more resistance:

I ran into a problem with the Penn Stroud Hotel in Stroudsburg. I couldn’t drag the Lincoln into the act, so it was understandable. But up the road the Paramount Motel graciously took us in and even served a continental breakfast on the house Monday morning before I drove back into New York. Almost home.

While Fox may have felt self-conscious behind the wheel of the Mark, it doesn’t seem like anyone responded to him very strongly until he was heading back into Manhattan. Rolling down the FDR Drive, a couple of Black guys in the back of a chauffeur-driven Oldsmobile got a load of Fox’s Nehru jacket and apparently thought it was the funniest thing they’d seen all day:

They looked through the rear window in hysterics. What was this cat doing in that great big car? Putting on the world man. That’s what he’s doing. Right? Beautiful. Finally somebody understood. I wound the window down for the first time in days and let the wind blow it all away. They laughed harder. I laughed. We all laughed like hell. But as I turned off at 34th Street they waved victory signs at me. And suddenly I didn’t know whether I was down again or not.

Even back then, I’m not sure anyone in L.A. would have batted an eye; people probably would have just assumed Fox was some sort of music producer. Today, in a city littered with multimillionaire trust fund babies, venture capital fund managers, and movie or music people who routinely show up to high-level business meetings wearing baseball caps and cowboy boots, seeing an eccentrically dressed visitor pull up in a $100,000 car just means it’s another day ending in “y.” (Even so, most people still wouldn’t let them cash a check.)

Rear view of a 1969 Mark III
1969 Lincoln Continental Mark III in Maroon with a black Cavalry twill vinyl roof / Orlando Classic Cars

The later Car and Driver test of the 1970 Cadillac Eldorado (arch-rival of the Mark III) pointed out that many buyers of these high-end cars were middle-class and working-class people. This article helps to explain why so many people were willing to put themselves in hock to own one of these boats. Not everyone Fox encountered was necessarily cooperative, but, except for the two guys on East River Drive, most seemed to assume that if he was driving a car like the Mark III, he must be Somebody, even if he was dressed strangely and had a funny accent. That, as much as anything else, was what a lot of people were paying with these cars — and at least for a while, that is what they got.

 

Related Reading

1969 Lincoln Continental Mark III, Inside And Out – Unsubtle But Effective (by me)

Curbside Classic: 1968-1971 Lincoln Continental Mark III – Right On The Mark (by Paul N)

Vintage C/D Review: 1970 Cadillac Eldorado Was Powerful, Pricey, and Prestigious – So, Why Did They Photograph It Outside A Check-Cashing Place? (by me)