1952 Oldsmobile Super 88 – A Classic That Entertains From Any Angle

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Strother MacMinn, an ex-GM designer and long-time teacher at the Art Center College of Design, had this to say about Harley Earl: “[He] designed so you could walk around a car and be entertained the whole trip.” When it came to those two titans of General Motors design that are so often compared, Harley Earl and William Mitchell, Earl seemed to focus on flash while Mitchell focused on form. This is not a dig at Earl — it’s OK to like both methods. It is undeniable, however, that walking around any of Harley Earl’s designs will reward a viewer with something that they didn’t notice at a glance, as even a commonplace sedan such as this 1952 Oldsmobile 88 benefited from his attention to details. Harley Earl himself said that “if you drive by a school and the kids don’t whistle, back to the drawing board.” Hyperpack posted a gallery of pictures at our CC Cohort, and he captured all the reasons why the kids whistled at Mr. Earl’s conceptions.

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The 1952 Oldsmobile itself was offered in three series: the Deluxe 88, Super 88, and 98. The A-Body-based 88 was no longer offered for 1952, leaving the OB-Body as the sole basis of all Oldsmobile models. Fans of Curbside Classic know that trying to decipher General Motors’ body schemes of the early 1950s is a complicated task, but it’s been tackled here before, and interestingly enough, the only other General Motors car to use the OB Body in this time period was the 1951 to 1953 Buick Special. The Super 88 shown here (the side trim is the giveaway) was Oldsmobile’s most popular model, with 70,606 four-door sedans being built for the model year. It had Oldsmobile’s famous 303 “Rocket” V8 under the hood in 160-horsepower four-barrel guise, matched up in this case to GM’s four-speed Hydra-Matic “Super Drive,” so all-in-all, this is probably the best representation of what an Oldsmobile man would buy in 1952.

An easy way to identify this 88 as a 1952 model is the centrally located “tooth” in the grille. It’s an easy tell — the 1951 model doesn’t have it.

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People tend to forget how much Harley Earl was responsible for the basic concept of American automotive design. It’s easy enough to criticize his faults, and there were enough of them, but for his entire career he managed to differentiate at least five different brands (and GMC) that used common structures, giving them individual identities that most of those whistling schoolyard kids could easily identify. Pontiac had its “Silver Streaks,” Buick its toothy grilles and “Ventiports,” and Cadillac its fins. Oldsmobile went in for rockets and globes.

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Period advertisements played up the “‘Rocket’ Action” V8 while Oldsmobile’s “singing sweethearts,” Johnny and Lucille, rode atop an actual simulated rocket in this specific (and fairly typical) Super 88 advertisement. Is anyone else picturing Major “King” Kong riding the nuclear bomb to its destination in Stanley Kubrick’s Dr. Strangelove?

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The ringed globe is a feature that showed up on hoods and steering wheels, the reason for which is a bit more of a mystery than the proliferation of rockets on flanks and in advertisements. Oldsmobile was certainly not an international brand, but reality and marketing are two words that rarely go together; regardless, the globe lasted a few more years before fading away, and it’s unlikely that you’ll find more intricate ornamentation on anything newer than 1960 or thereabouts.

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And like them or not, the ornate taillights are not dissimilar from looking at the ornamentation on almost any older piece of architecture. Think about this: Someone had to draw this piece, and then someone had to make a pattern, probably out of wood, and probably by hand. Then, someone needed to figure out how to cast it in the most inexpensive and expedient way possible, yet with enough durability to last the expected life of the car. Then someone had to cast it and chrome it. Seventy-three years later, it’s still standing tall, if not a little worse for wear.

The bright trim on the outside of the gas filler door was an optional accessory. Mounted with screws to the gas filler door jamb, it was clearly ordered to break up the expanse of  all…that…painted…quarter panel. I kid. Something this car isn’t short of is bright trim.

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The quarter panel and rear door are the most entertaining part of the car, with their ornate, silly, and perfect “rocket” trim complete with an extra “wing” that extends all the way to to the character line’s dip on the door. A facet of the OB-Body that I prefer over the larger C-Body cars such as the Buick Roadmaster is the comparatively slim area between the belt line and the body’s character line. As much as I like a nice Cadillac or big Buick, I’ve always thought they looked far more ponderous than the less-expensive Buick Special and Olds 88. As the owner of a ’53 Special myself, however, I might be biased.

It’s also worth noting the segmented backlite, making its final appearance in the Oldsmobile line in 1952.

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Not all of the gimcrackery, however, came by way of Lansing. These side window “awnings” were not uncommon add-ons, and they would be among the first thing I’d remove if I bought this 88. Nobody’s perfect.

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The interior was not spared Mr. Earl’s watchful eye; from the electric-razor trim to the chic clock nacelle atop the dashboard, the Oldsmobile’s interior proves that the exterior designers weren’t the only ones who found themselves subjected to the famously temperamental styling chief’s instruction.

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But it was all for the good of the car, and thus for sales. After all, what’s good for General Motors…on second thought, never mind. The trunk lid of this 88 mirrors the hood’s ringed globe, but adds an “88” emblem that’s bisected by a rocket, so even as it drives away, there is no mistaking the message: This is an Oldsmobile. It’s a little bigger and fancier than an A-Body Chevrolet or Pontiac, and it has a more powerful engine, a Rocket V8.

Your aesthetic ethos might not align with the great Harley Earl’s, but it’s hard to argue with his results, and nobody can argue that he didn’t love cars. He may not have been HR’s Employee of the Month these days due to his sometimes abrasive personality, but every account I’ve read says that he lived for his job and he did it well. He was a showman, an entertainer, and even the most common of his Oldsmobile sedans was the subject of his magic.

 

Related CC Reading

The History Of General Motors’ 1950 Body Interchange Program (by VinceC)