CC Album Cover Art: What’s In Your Hall Of Fame?

Sleeve art for Billy Joel's Streetlife Serenade album

Cars have been a common source of inspiration for rock and pop musicians for as long as the genres have existed.  “Rocket 88,” an ode to Oldsmobile released by Jackie Brenston and Ike Turner in 1949, is often cited as the first true rock ‘n roll song.  Since the, songwriters as diverse as Chuck Berry, Brian Wilson, Neil Young, Janis Joplin, Sammy Hagar, Tracy Chapman, and Marc Cohn, to name but a few, have produced timeless songs dedicated to their experiences with cars.  And then, of course, there’s Bruce Springsteen, whose unparalleled frequency of car references make him the poet laureate of the automobile. With that in mind, let’s take a look at some car related album covers.

Ironically enough, considering that he has produced literally dozens of songs on the subject, Springsteen himself has never featured a car on one of his album covers.  Luckily for us at CC, many artists have, and often to great artistic effect.  Two recent, consecutive CC contributions, namely Aaron Severson’s reference of Neko Case’s Middle Cyclone cover and Peter Wilding’s pic of a gorgeous green Duster 340 model – inspired me to consider the best albums to feature an automobile on their cover art.

A great cover doesn’t make an album great, just as a crappy cover can’t ruin an excellent collection of songs.  But when a solid album is wrapped in a compelling piece of art, the sensory experience is elevated. As both a car guy and a vinyl collector, I hereby establish the Automotive Cover Art Hall of Fame, for which I have 5 eligibility criteria:

  1. It must be the front cover art of an album-length release (singles don’t qualify, nor does the hot Trans Am on the back cover of Sammy Hagar’s Street Machine).
  2. The album has to be a work by a generally well-known artist – as in the average person of the appropriate age would recognize their name and could probably name a song or two from their catalog.
  3. The featured art must depict a regular production automobile (not a stylized rendering like the futuristic vehicles on Neil Young’s Trans).
  4. The car does not have to be the focal point, it just needs to lend some visual interest to the cover concept.
  5. The album must be at least 10 years old (sorry Billy Strings – that 1972 Chevelle is sweet, but you have to wait your turn).

Here, in no particular order, is my inaugural class of inductees:

 

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The Cars – Heartbeat City (1984)

While the album was not quite to the standard set by their ridiculously great first two albums, it was a solid outing with a number of classic tracks, such as “Magic”, “You Might Think”, and “Drive”.  The luscious gatefold cover, featuring a ’71 Duster 340, is inarguably their all-time greatest hit.

 

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Kiss – Dressed to Kill (1974)

While the album has the distinction of giving future generations the anthemic “Rock and Roll All Nite”, it contains several much better tracks.  “Rock Bottom” and “She” are as good as anything they’ve done.  The cover is perhaps their best, as it eschews their trademark machismo, comic-book imagery in favor of a subdued and ironic image of the band putting in another day at the office.  The car here was a happy accident – this shot was taken on a streetcorner in New York City, and the early Colonnade LeMans just happened to coincide with the shutter click.  It solidifies the imagery of this being just another day in the city, though if you look closely, you can see the driver looking on in curiosity at the rather unexpected foursome.

 

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Chris Isaak – Forever Blue (1995)

The cover, featuring a 1964 Cadillac, perfectly sets the vibe for this moody, midtempo gem.  Is there anything more rockabilly-hip than an old Caddy? If this album isn’t in your collection, I’m sorry.

 

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Grateful Dead – Shakedown Street (1978)

A mixed bag of an album (the Dead meets disco) but the carspotting on the urban streetscape cover is priceless.  You can feel the motion of the 1965 Eldorado and 1967 Olds passing on a busy boulevard, and I always appreciate when an artist takes the time to provide realistic depictions of automobiles.

 

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Aerosmith – Pump (1989)

A musical return to form, graced by a clever – if not quite subtle – photo of two International K-series trucks getting to know each other a little better.

 

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The Killers – Battle Born (2012)

A 1971 Challenger vs a Mustang?  Horsepower meets horse power in the desert.  “Runaways” and “From Here on Out” are standout tracks on an excellent yet underappreciated release.

 

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Streetlife Serenade – Billy Joel (1974)

While it did provide a few standouts – “The Entertainer” being among his best works – this was a lesser album in Joel’s early catalog.  The cover, with that perfectly-rendered gold 1970-73 Camaro and early Chevy Van, could grace a gallery wall.

 

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Peter Gabriel – Peter Gabriel (1977)

Gabriel’s first solo work after his departure from Genesis is also the first of four consecutive LP releases entitled, simply, Peter Gabriel.  As such, each album has a nickname, with this one’s being – are you ready for it? – Car.  The ‘car’ is purportedly a 1974 Lancia 2000, although this detail study makes that difficult to confirm or deny.  Regardless, it is visually stunning, and I can’t see the image without mentally hearing the opening line of “Solsbury Hill”.

 

Late for the Sky

Late for the Sky – Jackson Brown (1974)

Both the album, and the cover featuring a 1954 Chevy Bel-Air, rank as masterpieces.

 

AbbeyThe Beatles – Abbey Road (1969)

The most icon car ever made, on the most iconic band’s most iconic cover.  While the real Beatles are the focal point, the white Beetle (Beatle?) has its back to us as it faces the long road toward the horizon’s vanishing point.  Is it bidding us farewell?  A perfect sentiment for what would be the final artistic output of the legendary band.

So what say you, CCers – do you have any other nominees for this esteemed hall?