CC In Scale: 1968 – 1969 Chargers

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I had a request a while back in the comments section, where one of us (who shall remain nameless, except to say that his name bears the prefix Mopar-) asked me for a feature on Mopar B-bodies, and specifically Dodge Chargers. He’d noticed there were some in the background of some photos I’d run that day, and wanted to see more.

More Chargers? Can’t say that I blame him. They’re cool cars. Suppose, I mused, I were to do a story on Chargers. What sort of resources did I have?

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Half an hour wading through my photo files turned up four first-gen Chargers, which often seem to be the ‘poor relation’ of the Charger pack, being basically a mid-sixties Coronet with a fastback. We’ll leave those aside for now; anyway, they were already covered in 1967 and in Muscle cars.

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There were seven second-gen, the ones that had inspired his request, plus two Daytonas, and as I noted at the time, one ’68 unbuilt. We’ll leave that last one aside for now.

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But the third-gen cars! I know I’d always liked that style, but it seems I have nine of them! Hmm – seven plus two plus nine equals too many – sounds like a couple of Charger features coming up! And if I write these up, it might give me an idea of what colour to paint that spare ’68.

“Now hang on a minute!”, you might be thinking (I trust you don’t talk to your computer; I get in trouble for telling off the washing machine and the microwave). “What about 1970? The second-gen Chargers went from 1968 to ’70. You’re missing a year there.”

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And you’d be right. The problem is that I don’t have a 1970; a kit of a stock ’70 was only briefly available before being turned into a Last of the Spurious movie tie-in. And while I could fill a hole in the hood and find the Rallye wheels and other bits and pieces for a stock ’70, I’m prepared to wait until a stock ’70 comes my way; I have so many of the other years. And it wouldn’t seem right to, you know, buy a ’70 while I still have that unbuilt 1968. Meanwhile the original ’70 kit’s available you-know-where for three or four times the original price. Which says something.

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So, let’s begin this with the Dukes of Hazzard, that TV series that destroyed so many cool cars in the name of ‘entertainment’. For many years, the only second-gen Charger kit was the old MPC annual turned into the Dukes’ car. It was simple, easy to build, but the tooling was past its prime, with details like rain gutters being worn away, and panel lines barely visible. But the biggest problem was the rear window.

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MPC had based this on the semi-aero Charger 500, precursor to the Daytona which had a flush rear window but without the huge nose extension and spoiler. Movie cars weren’t Charger 500s, but kids lapped them up anyway. And more serious, older modellers like me bought one because, back then, what else was there?

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Then Revell came to the rescue, with a fantastic kit of the ’69. Initially released as a Monogram ProModeler kit (a short-lived range of kits with extra detail such as working steering, lots of reference material for detailing, sometimes photoetched parts), but this initial release had a big mistake in the roofline, which (I’m told) looked as though it had been chopped. Production was stopped, the fault corrected, and good new bodies sent out to folk who had the ‘bad’ one and complained. Near enough to a model recall. I never bought this one, having been alerted to the problem through the online modelling community.

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I made up for lost time when the kit became available with the corrected body. I don’t remember which one of these I built first, whether it was the gold one (hardware store enamel) or the purple one (Aussie Ford Wild Violet, a deeper shade than Plum Crazy). These bodies came with the engraved texture for a vinyl roof – but as often is the case, care had to be taken not to lose the texture under paint. The purple car would have looked too dark with a black interior, so I went with white, reinforced by the white stripe.

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I saw an episode of Top Gear where Richard Hammond bought a ’69 Charger; unusually for the show it seemed to be kept in immaculate condition. I made a note of all the details, and built a model of his car – but lost the licence plate number before I could add it. Never mind. I didn’t build it because of the celebrity connection, I built it because the colour scheme looked nice.

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Meanwhile Revell revised the tool back to a 1968 – primarily a difference in grille, taillight panel and side markers. Fortunately, the ’69 had been designed to allow for these changes. Or did they? The ’68 didn’t have the vinyl roof texture, which continued on the ’69. Two building versions were possible, either a stock ’68 with a 440, or a drag car with a Hemi. Me? I played mix-and-match, using the Hemi and scooped hood of the drag car with a stock red paint job.

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A second ’68 was a more streetable R/T with the 440. Dark brown metallic seemed to call for a fawn interior. Like the red car above, this doesn’t have the tail stripes – that’s purely a personal choice.

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More ‘69s. The yellow was such a strong contrast with the black vinyl roof and interior that I felt the black tail stripe was called for here.

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Revell brought out another variation, the Charger Daytona. Here painted in Ford Australia’s Tropicana Green with an off-white interior, the kit included the decals for the tail stripe, but I left them off and just painted the spoiler white.

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Meanwhile AMT revised the old Dukes Charger to turn it into a Daytona. The new nose piece wasn’t a good fit, nor were the filler pieces to blend it into the existing fenders. I gave up on this one several times, finally finishing it last year. Blue interior to go with the blue paint. Red stripe for shock value – one guy online almost begged me not to do the stripe in red!

So that’s it. Second-gen Chargers in quite a range of colours from all over the spectrum.  And one spare kit. Hmm, what colour should it be…..?