Scale MoPars In High Impact Colors — Plum Crazy And Beyond

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I’ll admit there are plenty of Mopar experts who know these colors inside and out, but I’ve always been drawn to them for one simple reason—they refuse to blend in. Chrysler’s High Impact hues weren’t just bright; they were something entirely new, a short-lived burst of bold experimentation that lit up the years from 1969 to 1973. I won’t attempt to write their history, as that’s been done many times before, but I’ve jotted down a gallery of models to share in those hues, with related random thoughts about them.

Ten colours. On sale for a limited period (one VERY limited!). All gone after four years. What made them special? It’s not that they were all fluorescent (popular as that was in the hippie era). Nor were they all metallic. They didn’t all flip-flop between colours (but two kind-of did, seeming to change between bright and dim light). With the exception of perhaps Bright Green (a rather unassuming metallic green which didn’t last long), they stood out because they hadn’t been used on an (American) car before.

And I would like to upset the applecart (here he goes!), by postulating that there are other Mopar colours just as iconic as these famous High Impact ones. Consider B5 blue – since they don’t have a High Impact blue. What?

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Holden Cyan Blue, standing in for B5 blue.

Who would deny that blue a place in the Mopar pantheon of iconic colours? You’ve only got to look at a Mopar-type enthusiast publication to see the respect accorded to a car painted B5 blue. Why is this so? I’ve no idea, other than to say it is a nice colour; bright, light-catching. Maybe not as eye-catching as the actual High Impact ones, but not as polarising as some of those either. Is a colour being polarising (we’re talking of opinion, not the scientific usage of the word) a good thing? Maybe, maybe not, but it sure gets you noticed. Whether that is a good thing is for you to decide.

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Go Mango

Now, I don’t have all the High Impact colours amongst my models. I do have half a dozen, and passable imitations of some others. Some of these models are painted in the ‘correct’ colours, some have other manufacturers’ colours standing in for them – For example, Ford Australia had a fantastic range of colours in the early seventies, (some of which we’ll see), and Holden’s Cyan Blue on that Charger above has been mistaken for B5 more than once! (Real B5 is a bit lighter) For some colours I have nothing close enough.

But let’s get going.

For some years, Testors used to have a range of actual car colours, certain popular colours offered by American manufacturers. These were in their Custom Lacquer System range. Unfortunately, these colours have been discontinued for about fifteen years now, maybe longer. The range focused on fifties, sixties and seventies colours, and some nineties shades that were current at the time. There was much discussion back then that certain colours (one in particular) didn’t look much like what they were supposed to be, while others seemed spot-on. We’ll shoo that elephant out of the room first, shall we?

Hemi Orange/Tor Red

 

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Supposedly this is Hemi Orange. Don’t shoot the messenger; it says so on the (Testors) can. Now Hemi Orange is a fascinating colour, but it’s not much like this model paint. It’s much redder, but an orangey-red. More of an orange in bright light, looks redder in dimmer light. That’s why Plymouth called it Tor Red. It’s a colour that can be either. And it certainly doesn’t have gold flecks in it. This is a nice colour, but it’s not Hemi Orange. What do I have that might be closer?

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Now this looks more like Hemi Orange. I can’t remember what it was for sure, it’s about 30 years since I built this one. Might have been Aussie Ford Red Pepper, I think.

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This could conceivably be as well. Hemi Orange remained available from ’69 till ’72.

 

Go Mango/Vitamin C

Moving on to the other orange on the list we have Go Mango, aka Vitamin C. Testors got it right this time. It’s on that second ’70 Super Bee you noticed earlier.

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Here it is again. Less vibrant than Hemi Orange, but more orange than the other 2½ dared use up till now. This one was available in ’69 and ’70. So I cheated and used it on a ’71, this Duster.

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It’s a great colour I’ve even used on non-Mopars.

 

Plum Crazy/In Violet

Let’s look at purple next. Who doesn’t like a nice metallic purple? Plum Crazy – absolutely brilliant name! It’s on the Super Bee in the lede photo. Despite being one of the best-known High Impact colours, it was only available for ’70 and ’71. Aussie Ford Wild Violet is close, and I’ve used it when I’m out of Plum Crazy, but Plum Crazy has more of a blue to it.

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P.C.

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Not P.C.

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Also not P.C., this is Aussie Ford Mulberry.

 

Panther Pink/Moulin Rouge

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From purple, it’s only a small hop to pink. Did any other manufacturers back then dare to paint a car bright neon pink? Chrysler Australia used what I’m told is the same colour, called Magenta down here, on our ’71 Charger.  It seemed to be a press-fleet-only colour; I never saw one on the road!

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A colour made for Cudas? I seem to have used it only on these two models. Hmm.

 

Butterscotch/Bahama Yellow.

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In 1971 MPC came up with the brilliant idea of moulding some of their kits in actual manufacturer’s colours. This ’71 Charger is moulded in Butterscotch.

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The paint on this Cuda is close; if you think you’ve seen it before, it’s actually a Datsun 510 colour!

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Also close but not quite.

 

Citron Yella/Curious Yellow

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Only used in 1971, this seemed to change colour depending on the time of day. Must’ve been some neat chemistry there! In bright light it looked yellow, in dimmer light it seemed more of a green. While not Citron Yella, this yellow Challenger here would be close. This was a hardware store enamel!

 

Top Banana/Lemon Twist

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This wasn’t as vibrant a yellow, and remained available for three years, so it must’ve been pretty popular. Here’s Humbrol #69 standing in for it.

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This is also pretty close.

 

Now we come to the greens

The situation gets very confusing here. There are two solid High Impact greens which are close but different. Sub Lime (aka Lime Light) was only available in ’70, while Sassy Grass Green/Green Go was available for ’71 as well.

Confusing? When you get a can of paint which says one colour on the body of the can and the other green on the cap, wouldn’t you be confused? It happened to me.

It’s not just me, or paint cans. Google either name and you will come up with cars painted two distinctly different colours – some are obviously being misidentified. So what’s going on?

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Sub Lime/Lime Light is the lighter of the two colours. Here MPC thoughtfully moulded a ’71 Challenger in this ’70-only colour.

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And this is the Testors paint. Good match.

Sassy Grass Green/Green Go is a darker green, but still pretty bright. I can’t find a Mopar product I’ve painted this colour.

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This isn’t it, but pretty close. Might see if I can remedy that (what Mopar kits do I have in stock…?).

There’s also Bright Green/Rallye Green. This was a 1969 colour, a medium metallic green that only lasted one season: spring 1969 only. Doubtless someone in the Mopar enthusiast community knows why. Maybe even someone here. It’s a tad darker than this Challenger; that’s the closest I have. I won’t name the company whose colour this is, let’s call them Brand F.

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With the rising popularity of the Brougham, these bright colours didn’t really suit the styling and appointments, all the chrome and the vinyl that was being slathered on. While Go Mango might have suited something like a Volare, and Green Go would have looked great on an Omni, could you imagine a Panther Pink Cordoba? Something more subtle was called for, so they were discontinued. Plenty of colour choice remained through the seventies, it just wasn’t as bright and lively as before. The hippies had left, and had taken their colours with them.

So, they’re an interesting bunch of colours. Love them for the brightness they brought into our lives, for their high-visibility, for the funky names loaded with double-entendres and period cultural references, love them for the fun times of those years. A shame they went away.