Museum Classic: 1937 Lincoln Zephyr – Ford’s Streamline Revolution

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Streamlining in cars really became a thing in the early ‘30s, but it was a process of trial and error that took a little sorting out. Chrysler’s odd-looking Airflow bowed in 1933, but it was not a huge success – unlike its Peugeot 402 and Fiat 1500 copycats, launched two years later. The 1934 Tatra T77 looked much better, but it was technically very unique. Most major makers were pretty timid in adopting streamlining, save for a few token low-production models like Pierce’s Silver Arrow, Volvo’s Carioca or Renault’s Nerva Grand Sport. Then, of all manufacturers, Ford jumped into the fray.

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Unveiled in November 1935, i.e. at the same time as the aforementioned Peugeot, Fiat and Volvo designs, the Zephyr was a true game-changer for Lincoln as a marque and for automotive streamlining.

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Lincoln was hitherto a very elite chassis maker, measuring up to Duesenbergs, Pierce-Arrows, Cadillacs and senior Packards. The Zephyr was not a coachbuilt car and its $1200-1400 price meant it was aimed at the Buick Limited / LaSalle / Chrysler Airflow / Packard 120 end of the market – expensive, but not exclusive.

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From an automotive design perspective, the Zephyr’s main contribution was that glorious ship’s prow of a front end. It was the product of several attempts by designer John Tjaarda (1897-1961) and body manufacturer Briggs to develop a groundbreaking streamlined shape, something truly modern.

prototypes tjaarda 1933 34

Tjaarda’s first draft (top right) was bold. It was essentially a Tatra 77, albeit over a year prior to that car’s unveiling. Great minds do think alike. By late 1933, with a lot of input from Briggs engineers, the Tjaarda rear-engined streamliner had evolved into something that could be put on the road (middle right and drawings on the left), and Ford took an interest. But the location of the engine had to change, leading to the bulbous 1934 car at the bottom right, which brought back an unwelcomed Airflow vibe.

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Fortunately, Tjaarda and the Ford stylist Bob Gregorie found a way to blend the initial rear-engined prototype’s distinctive straight and pointy nose into the front-engined Zephyr, ingeniously transforming the shape of the car into something far more aerodynamic (and just plain dynamic).

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The integration of the headlamps into the fenders was also masterfully done – certainly not a world first, but the attention to detail and aesthetics was most commendable, and these also became very influential: for starters, the basic Zephyr front end design was very skilfully scaled down to the Ford line for 1937.

zephyr Cutaway

Briggs manufactured the all-steel bodies of course, the Zephyr being a sort of hybrid “unit-body-on-frame” type of deal, not unlike the Airflow – not quite a unit body like the Citroën Traction Avant, but much more solidly made than the wood-framed sedans many still had on offer. The suspension, on the other hand, was 100% Ford and thus pretty humdrum (and definitely not humdraulic) even for the times, with leaf-sprung solid axles front and back and mechanical brakes. But this being a Lincoln, the engine was something a little special.

1936 brochure

Well, they did have a reputation to uphold, didn’t they? Since your common-or-garden Ford sported a V8, anything using the name Lincoln had to have a V12. But this V12 was, unlike the huge Lincoln K Series chassis’ engine, a reasonably-sized (267ci / 4.4 litre and 110hp) and sensibly-priced item. Meaning it was a flathead Ford V8 with four cylinders added. So whatever issues the V8 had (and they were legion), the twelve had also, but 50% more so.

zephyr 1937brochure range

For 1937, Lincoln fielded a new range-topping “Town Limousine” variant – essentially a highly-trimmed six-window sedan with a separation, which didn’t sell too well. The coupé is a serious contender as car of the year in my fantasy garage. There were also convertible cars available, both in two- and four-door guise, but streamliners always look more homogeneous with metal tops.

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Art-deco and Streamline Moderne styling made for exquisite dash designs, didn’t they? One does wonder, though, how used-friendly this particular one would have been, with those scattered bakelite controls, that ten-foot-pole of a shifter and a steering column that looks ready to impale the driver’s rib cage at the slightest provocation.

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There is an appreciable amount of room at the back – not always a given, when prewar cars are concerned. How many rear passengers’ jaws, noses or brows require stitching after an emergency brake propelled them on the front bench’s strategically-placed chromed bar?

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The Zephyr was no more of a death trap than any other car of the period, though. And it probably handled better than some of them, including the early Tatras. The only major weak point, according to most sources, was the temperamental nature of its weak-chested V12, especially its tendency to overheat. At least one car was modified with a double grille, in an attempt to remedy this malady. The cure might have been worse than the disease, in that particular case. Later Zephyrs, from 1938 onwards, wore different grilles, but none really solved the V12’s hypercaloric predispositions.

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For the Zephyr’s dramatic (and singular) nose, along with its overall styling, has to be its main claim to fame. At the stroke of a pen, Tjaarda and Gregorie made the Airflow look uglier still, Packards seem outdated and Cadillacs rather bland. The 1936-37 Zephyr sold extremely well, saving Lincoln and turning the marque into a major player at the higher end of the market. It truly was the wind of change.

 

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Curbside Classic: 1937 Lincoln Zephyr V-12, by Robert Kim

Cohort Classic: 1937 Lincoln Zephyr Caught In Its Lair, by PN